Kudos to you, Gayatri!

My respect to playback singer Gayatri just went up for speaking openly against the malpractices of Malayalam film music industry. Gayatri, in a response to music director M Jayachandran, has lashed out at his unwarranted comments. Read the full interview here (in Malayalam).

To those who cannot read Malayalam, here is a loose translation of the core of what she said:

M Jayachandran doesn’t need to tell me that I should listen to Shreya Ghoshal. I don’t need his advise. I don’t need to hear his opinion to understand that Shreya is the best singer in India. I’m not stupid enough to criticize Shreya’s singing.

****

I’ve never asked for a chance to any music director. I am very happy in my space. These people should understand this.

****

Bollywood singers are paid good money here, but what is the situation of our singers up north? I know about this. I have heard people blaming Hariharan’s pronunciation. They are very strict on this matter. They never would excuse even a small mistake. But what about us? The song “Chaanchaadi aadi” sung by Adnan Sami is rated very low in the charts. It’s not my personal opinion. People say this on media. The problem is not the choice of the audience, but the attitude of [Malayalam film music] industry.

****

The industry doesn’t consider the local singers. I stand by that opinion. Singers from other states are VIPs for us. But do we get the same treatment from them? We are still asked “do you want the travel allowance” after we sing and this happens to singers like us who have been in this field for years. We are asked such questions when the north Indian singers are paid upto Rs. 75,000 per song. But the industry doesn’t have at least Rs. 2000 for singers like us.

****

Why this discrimination? If it’s Adnan Sami, they are ready to pay upto 1 lakh rupees. We do not ask even half of this amount. All singers face this but nobody dare to tell the truth. But it must be told.

****

Up to an extent, it is the singers themselves to be blamed. Some singers who come from reality shows tell the MDs, “sir, I will give Rs. 50000, please give me a chance”. Singers as a whole suffer due to this kind of people.

****

There are organizations like MACTA and FEFKA. We go to their programmes and sing for free. They need our co-operation for their programmes but our needs are not considered.

****

There is no gender difference in the case of singers not being paid for their work. In Bollywood and Tamil Nadu, they would send us call sheets even for small jingles. It is because they respect the work we do. Is there anything like it here?

Also you can listen to my Malayalam podcast with Gayatri and Pradip Somasundaran (in two parts) for M-Pod below.

Part I

Part II

Etho January Maasam (cover)

This song is one of my most favorites from M Jayachandran. A very melodious number, originally sung by Karthik, I love this song for its soulful music and orchestration. I had posted an unplugged version of this song before and now here it comes with full karaoke track. This is my first recorded song after marriage which means after a gap of more than 2 months. 🙂

Dedicating this song to all those “modernists” of music who say melody sucks (the term “melody” here is not used in the musical terms, but as a substitute for soulful music) but seldom knows that even most of their musical favorites have a strong base of melody. The God of the modernists is A R Rahman, who is mostly remembered for his melodious numbers than his forgettable fast paced songs (remember Roja, Karuthamma etc). They say A R Rahman is “fresh” in orchestration, even though he has not created anything fresh than what many Indo-American fusion artistes have already done. But since film music is the popular form of music in India, Rahman continues to don the role of bringing freshness to Indian popular music scene (I respect A R Rahman for another thing – for giving proper credits to lead instrumentalists in the album cover).

I pity those modernists whose idea of “Freshness” in music is very limited. They often point to other musicians from across the globe – for example, a Sufi singer who has sung only Sufi music to his death, or a musician of a particular Genre who has never tried any other Genre than what he/she has been singing from the very beginning and they call it “fresh”. But when an Indian musician/singer does the same thing, it’s called “boring”. And their enemy #1 is K J Yesudas.

I listen to all kind of music, perhaps except death metal and appreciate each of them for it’s own good and according to my mood to hear a particular genre of music. But to call an entire society’s taste “boring”, just because they listen to Yesudas or melodious music in general? Well, Pity is the word.

Music: M Jayachandran
Lyrics: Gireesh Puthenchery
Movie: Orkkuka Vallappozhum
Singer: Karthik

Download “Etho January Maasam (cover)” MP3 file (4:09 MB)

Chaanthu Thottille – Banaras

Banaras - Malayalam movie

I was looking for the MP3 files for M Jayachandran’s latest, Orkkuka Vallappozhum and I was stumbled upon another recent work from him – Banaras. I was in a hurry to catch my train back to Thrissur and I downloaded a couple of songs from that film. I was happy to find an official karaoke track for one of the songs. That song caught my immediate attention as it was a Dhandiya song. The song name is Chaanthu Thottille and it is sung by my fav singer, Shreya Ghoshal. 🙂 This must be her second Malayalam song after Vida Parayukayaano from Big B. I listened to the song multiple times when I was lying down in the train. Then I thought, why not sing a male version of the song?

As soon as I got a breather in the late evening on Saturday, I learned the song and recorded it. I have changed the lyrics a bit to make it suitable for the male vocals part. Let me know how it sounds. 🙂

Song: Chaanthu Thottille
Movie: Banaras (Malayalam)
Music: M Jayachandran
Original singer: Shreya Ghoshal

Download MP3 file of this song


Banaras – Chaanthu Thottille | Upload Music

(Image courtesy: IndiaGlitz)