Blogswara, and taking stock of 2011

First of all, I’m happy to announce that Blogswara has released it’s 7th online album called Trunk Call on January 1st, 2012. I’m so glad to see that the support and enthusiasm for independent music has still not died down and Blogswara still generates interest after all these six years and six albums. Do listen to the four new tracks in Hindi, Malayalam English and Arabic. Do share it if you like the songs.

The year 2011

2011 was not a great year at all. My music posts and ordinary blog posts have seen a slow-down in 2011. I have posted only 5 songs in the last year. Though the year began with an original composition, that too a new year song, it slowed down. I can only hope that 2012 would get better. My father passing away was one major personal incident happened in the last year. Finances sucked throughout the year and expenses went sky-high, but none of them were avoidable.

On the positive front, I realized that Blogswara can still generate interest from many quarters. When I announced Trunk Call, the new Blogswara album with a theme, we had received 19 song announcements (though only 4 of it could make it to the final versions). Now I am sure that the spirit of independent music and Blogswara will continue to grow. Also I learned to drive a car in the last year. My ‘vintage’ second hand Maruti 800 has helped me experience the pleasure of driving, though I hate driving in the city on a weekday.

One of the good things that happened last year was that I started writing features for Sound Box magazine, a unique music industry magazine that has bagged a silver (in the Best  New Publications category for 2010) at ABCI awards in it’s very first year. I have always enjoyed writing and one of those childhood dreams was to be a writer. And I’m happy and proud that I am now writing on my favorite topic, music, in country’s premiere music trade magazine. My first feature in the magazine was about music blogging, titled Net Gain published in March 2011, an area that I had been actively promoting online and offline ever since I enjoyed the perks of music blogging right from 2005.

I also had an opportunity to host a radio show last year. Hosting the one-hour show “Hridayapoorvam” in All India Radio, Thrissur station was an exciting experience. I recorded in the same studio where I had recorded the first song I wrote and composed (and that was long back) and the memories poured in. Also had a good experience with a short film I made on a mobile phone. 🙂

What I learned in 2011…

…was more of what I learned in 2010 – about how to treat people with what they deserve. I was hesitant though I told myself that I would be nice only to those who are nice to me. This year, I believe I have learned more about dealing with people who take advantage of my weakness (of being nice) and give them back in the same coin. People among family and friends. And on the family front, Ryan is lighting up our days. It’s so wonderful to see him grow.

So that sums up an year and I am hoping for the best in 2012. Here are some blog posts I enjoyed writing and think that you would enjoy reading too.

Music posts

Happy New Year and a song!
Pavizham Pol
Nilaa Nilaa Mizhiye
Baliyaay Thirumunpil
Mazha Njaan Arinjirunnilla

Blog posts

Liu Xiaobo – A saint or a hypocrite?
To all the girls I loved before…
Save the space, please
Bringing back original instruments to music
The Drop-out Syndrome
A note to M Jayachandran, the music director
Hazare, the Hero
Anna Hazare and the Great Indian Middle-class
Redefining entertainment digitally
I don’t bleed blue; I never will
Enabling mobile technology for music
Thrissur Pooram 2011
Life, on a journey
The useless ‘royal, divine wealth’
Kerala’s YouTube Stars!
About friends and friendship
A young man’s tale
Group Activity
Da Vincing Code
The state of music retailers
Jagathy vs. Ranjini – What’s missing in the debate
Jan Lok Pal – the interim FAQ
The Steve Jobs effect
Yesudas – fifty years on
Santhosh Pandit vs. Malayalam Media/Cinema
My dear Appu

Malayalam film songs of 2011 – My picks

2011 may not have been an exciting year for Malayalam box office, but it certainly was a turning point in the history of Malayalam film music industry. The industry had opened up to the rock music genre last year and a new trend of movie inspired OSTs had been introduced. As a result, we had a song from India’s leading  and Kochi’s own rock band Motherjane for the film Anwar in 2010. The trend continued this year with the Malayalam rock band Avial played the end title song, Aanakkallan, for the film Salt N Pepper. It seems to be continuing as the audio of the end title song from the upcoming film Asuravithu, sung by the new rock sensation, X-Factor fame Piyush Kapur, is out on YouTube.

It shows that the new age film directors who target the young audience are ready to go beyond the regular track to try out something new. And the stage is set right. There has been no better time than now for the independent music scene in India and the youth in Kerala are also reaching out to different genres of music.

2011 was also the year of Shreya Ghoshal in Malayalam film music. She has probably sung more songs than Chitra in Malayalam this year. Unlike other singers from the north and south of India, she has given much effort in terms of pronunciation and that is evident from her renditions. But are the music directors trying to use her pan-Indian image for the publicity of their albums is a question. If that is the case, some of the equally talented young singers from Kerala – Gayatri, Manjari and Swetha – are missing out in the competition.

So here comes my list of top 12 Malayalam songs of 2011. You can view/hear the songs on YouTube, if you click on the song names.

 

Song: Naattu vazhiyorathe
Movie: Gaddhama
Singer: K S Chitra
Music: Bennet-Veetrag
Lyrics: Rafeeque Ahammed

Song: Chimmi Chimmi
Movie: Urumi
Singer: Manjari
Music: Deepak Dev
Lyrics: Kaithapram

Song: Chembarathi Kammalittu
Movie: Manikyakallu
Singer: Shreya Ghoshal, Ravishankar
Music: M Jayachandran
Lyrics: Anil Panchooran

Song: Ithile Varoo
Movie: The Train
Singer: Sujatha
Music: Srinivas
Lyrics: Rafeeque Ahammed

Song: Kannoram Chingaaram
Movie: Rathinirvedham
Singer: Shreya Ghoshal
Music: M Jayachandran
Lyrics: Murugan Kattakkada

Song: Himakanam
Movie: Violin
Singer: Gayatri, Ganesh Sundaram
Music: Bijibal
Lyrics: Rafeeque Ahammed

Song: Chembaavul
Movie: Salt N Pepper
Singer: Pushpavathy
Music: Bijibal
Lyrics: Rafeeque Ahammed

Song: Premikkumpol
Movie: Salt N Pepper
Singer: P Jayachandran, Neha Nair
Music: Bijibal
Lyrics: Rafeeque Ahammed

Song: Pranaya Nilaa
Movie: Teja Bhai and Family
Singer: Shaan Rahman
Music: Deepak Dev
Lyrics: Kaithapram

Song: Manjil Melle
Movie: Makaramanju
Singer: Yesudas
Music: Ramesh Narayanan
Lyrics: Chandran Nair

Song: Amruthamaay
Movie: Snehaveedu
Singer: Hariharan
Music: Ilaiyaraja
Lyrics: Rafeeque Ahammed

Song: Mazhaneer Thullikal
Movie: Beautiful
Singer: Unni Menon
Music: Ratheesh Vega
Lyrics: Anoop Menon

 

Honorable mentions:

To Reshmi Satheesh for the songs Appa Nammade and Chalanam Chalanam from the movie Urumi. The highlight of both these songs is Reshmi’s powerful voice.

To Rex Vijayan for the background score of Chaappa Kurish. Rex has given a totally different approach compared to the traditional way our musicians have been scoring music for films.

 

Related posts:

Malayalam songs of 2009 – My picks
Malayalam songs of 2008 – My picks

 

Trunk Call – song teasers posted!

Trunk CallWe are so happy to post the song teasers from Trunk Call, the upcoming Blogswara album! Trunk Call is the first of it’s kind in the history of Blogswara as the album has a central theme of bi-lingual songs which brings in the flavors of different languages and music genres into each song.

Contrary to the previous albums of Blogswara (earlier, Blogswara let itself to be the platform for ready-to-publish songs so people could send in what they had ready at hand), we had asked the song teams to work on a central theme that required each song to have a minimum of two languages. The theme stands close to the very basic principle of Blogswara, which is to unite people from different places using music as the medium to communicate. Even though we had received 19 song teams announcing their participation, only 6 song teams had submitted the songs out of which only 4 could make it to the final list. So we thank all the 4 song teams who took an extra effort to create new songs based on the given theme.

So here it comes, the song teasers from the upcoming album. Listen, share and show some love! 🙂 The new album will go live online (need I say that the entire album is free to listen and download?) on January 1st, 2012. So stay tuned for the full versions!

A homemade short film

I usually try and find some time to spend with my nieces and nephews when they come home. So one day they were at my place and wanted to check out my phone. I asked them if they would be interested in making a ‘movie’. They were excited and I made them say some nonsense dialogues and captured it on the video. When I showed it to them, their excitement knew no bounds. So they wanted to do another ‘movie’. But I wanted to catch up with my sisters and have a chat with them downstairs. So just to get rid of the kids, I told them to come up with a story of their own, write down the dialogues and then I would shoot the movie. I gave them an hour, so that I could be free for some time. But I never thought that they would take it up seriously and return with a written storyline and dialogues in just FIFTEEN MINUTES! 🙂

I was totally surprised and impressed when I looked at the story line. They had a title, dialogues, an interesting ‘horror’ story and even a twist at the end. All these from two kids (Kevin and Anthony) who are just about 10 years old (I have not changed a thing in their story and dialogues). So I called up the other nieces and nephews, asked them to do something or the other. So Divya took care of the make-up, my wifey Sony helped with costumes, Neenu and Minna were hesitant but then  agreed to play the roles of the vampire and mom respectively. So within 20 minutes, the shoot was complete. Even though this was meant to be some fun work for the kids, I was equally excited as them because this is my first experiment in making a short movie (if you call this a short movie). I had some fun time with post-production experiments too. 🙂 I just finished editing the movie and just uploaded on YouTube. The original cast & crew are yet to see the final product; I intend to show it to them in the coming weekend.

So here comes “The vampire and a family”. The kids would appreciate your comments and I intend to show it to them. 🙂

Credits:

Story, Screenplay: Kevin, Anthony
Make-up: Divya
Costumes and dubbing assistance: Sony
Starring: Kevin, Anthony, Minna (the mom) and Neenu (the vampire)
Cinematography, editing, sound & visual effects, direction: Their uncle pandit 😉

Camera: Nokia E7
Softwares: Windows Live Movie Maker (video), Audacity (audio)

Yesudas – fifty years on

Do you remember the first time when you heard Yesudas’s voice? Probably don’t. If you ask me, I would say it is as difficult a question as asking when was the first time you heard your mother’s voice. It is said that not a day passes in a Malayali’s life without listening to this legendary singer’s voice. And now, the man has marked fifty years in the playback singing profession.

Yesudas is the ultimate benchmark for Malayalees when it comes to singing. “You sing like Yesudas!” was the ultimate compliment that a singer could get in the old days. In my childhood, the quality of singing was always measured by comparing a singer’s voice to Yesudas’s. So anybody who had a melodious voice would be fondly called “Junior Yesudas” in the local circle and that’s the biggest appreciation one could get in his local community. This has negatively affected singers who had a different tonal quality (not all good singers need to have a sweet voice and not all songs demand a sweet voice to render them).

As time has passed and people got exposed to various singers and genres of music, the benchmark was changed. Now, at least in the musician circles, having a voice that resembles or ‘accused’ to be resembling Yesudas’ voice is a curse. During my visit to Chennai, I had given a demo CD to a person in the industry on a suggestion from a friend. This person then gave it to a couple of music directors and then later told me that ‘they don’t need yet another Yesudas’. I realized how times have changed from my childhood, when everybody wanted to sing like Yesudas to this incident. From then onwards, the process was to cast-out the Yesudas influence. So I’d be more careful not to sound like Yesudas and would be disappointed and defend myself if I got a comment that said, “you sound like Yesudas!”, even if it is in a positive nature.

Yesudas has a contrasting life story. He was born in a poor Latin Catholic (kind of a Dalit in the Kerala Christian caste-ism) family and was taught music by a Tamil Brahmin. He is still not allowed to enter Guruvayoor temple because he was born Christian, but his song “Harivaraasanam” is played in the Sabarimala temple everyday before the sanctrum sanctorum is closed for the day. The Christian church has not disowned him, probably because of his popularity, even in the old days when a Christian would be expelled from the religion if he went to Sabarimala by following the penance and rituals. He has sung in several Indian and foreign languages, even though the perfection of his diction in languages other than Malayalam and Tamil are debatable. Purists of Karnatik music would say he has too much filmized the classical music, but he could help generate an interest in classical music among the laymen with his semi-classical filmy songs. He had made news when he allegedly said that Lata Mangeshkar should stop singing whereas he continues to sing in his 70s which has begun to draw criticism from some quarters.

For an ordinary Malayalee, Yesudas is not just a singer but an angel who advocates for peace. Somebody who transcends the borders of religion. And there is a saintly aura that was built around him in all these fifty years. And no ordinary Malayalee can tolerate any criticism against him.

One could very well doubt if this saintly, secular image was carefully tailored by the man himself. Though he has often commented on sociopolitical issues, he’s always been careful to sound neutral. When he spoke against something, particularly where the religious extremism is involved, he has never specifically spoken against anybody or any organization. He would pass on general/neutral comments which would give him a round of applause generally from all quarters. Most of the times, this is in the name of harmony and peace but it is debatable if it is part of an image that he is trying to maintain.

No matter how his sociopolitical comments are taken, there are many things that a singer could learn from the man. His hard work that started from the days of live recording, when there was no punch-in softwares available, and his devotion to music that he sacrifices some of the earthly pleasures for music.

At 71, Yesudas is not much of a wanted name in the Malayalam film music industry. With a wide variety of choice of singers and exposure to other language music and genres, Malayalees have learned to live past Yesudas. Perhaps this would be the right time for the singer to do what he had advised Lata Mangeshkar sometimes back. To stop singing filmy songs and dedicate full time to classical music. Nevertheless, Yesudas will continue to remain an icon in the Malayali community as long as he goes with the popular ideals of the society.

(Photo courtesy: The Hindu)

Santhosh Pandit vs. Malayalam Media/Cinema

So much has been said and being said about Santhosh Pandit, an amateur movie director, actor, producer… (and so on). But nothing has been so abusive as the television show “Niyanthrana Rekha” on Manorama News yesterday. The program started with anchor Shaani saying that Santhosh Pandit’s movie has nothing to it’s credit and from there began the ‘show’ orchestrated by Shaani and Manorama News. Either Shaani has not cared to see the impact that Santhosh Pandit has made (negative or positive) in the Malayali society or she has chosen to ignore it completely. Whichever is the case, she has set a bad example for an anchor of such a show.

Santhosh Pandit definitely has something to his credit. His movie shows that the viral and social media marketing could help a lot in bringing people to theaters, provided it has something to hype about. The hype here was in a negative manner, but Santhosh has used it to the core to make money out of it. People wanted to see and cheer a clown and Santhosh Pandit happily let himself to be one. It is a fair trade and I think Santhosh is the ultimate winner at the end of the day. He’s got everything that an amateur artist could ask for – his video has lakhs of hits on YouTube, for which he claims that he gets Rs. 4/hit, he has appeared on all major Malayalam television channels, his movie is now showing in 14 theaters in Kerala though it was started with 3. The man is making money and he is (in)famous. Shaani of Manorama News chose not to see it.

But it did not stop there. The stage set by Shaani yesterday was taken over by someone called Adv. Baburaj who in all his 18 years of existence in Malayalam cinema was barely noticed until, ironically, he made himself to be a clown of a character in the hit movie Salt N Pepper. He made personally abusive remarks against Santhosh Pandit. He went on to ask if Santhosh Pandit has a mental disorder and made fun of Santhosh’s outfit. All this while the anchor, who is supposed to the ‘moderator’ of the show (someone please explain to her what responsibilities comes with a moderator title) stood silent (and probably smiling). Not an attempt to stop Baburaj or to remind him that personally abusive remarks on public television could not be allowed, particularly when Pandit has not hurled out any abuse against Baburaj.

What Baburaj has churned out with his 18 long years of experience in the Malayalam movie industry are the movies like ‘Black Dalia‘ and ‘Manushyamrugam‘. Both of them were box office disasters and won no critical acclaim and that man sat there rubbishing Santhosh Pandit who is a first time amateur in the industry.

I haven’t watched Santhosh Pandit’s movie “Krishnanum Radhayum” and I have no plans to watch it in the theatres. Just because I can tell from the trailers and clips of the movie I have seen on YouTube that it will be crap (just as I don’t watch Baburaj’s movies either in the theater or on television). Plus, I have no interest to go to a theatre to hurl abuse at someone who has not done any harm to me, knowing exactly what I would get out of it (most of the audience – particularly the young crowd – knew what they would get from the movie and paid to see it on screen). I do look for his latest interviews though, because I am curious to see if this man is consciously making a fool of himself or not. His rationale in many of the interviews are unmatchable and the current Malayalam cinema industry will have no option than being silent before the questions he pause in those interviews.

I think Santhosh Pandit has talent. If not in acting or direction, he would match the current industry standards with his music compositions and dialogues. I like the song “Raathri Subharaathri” or “Vachasaalum Vapusaalum“. I think if any of the ‘surviving’ superstars delivered the punch dialogues that Santhosh has delivered in his movie, they would be an instant hit among their fans. So these two areas are what Santhosh could genuinely work on and contribute to the box office industry.

And for Shaani and her types, I wonder if they would treat Mammootty or Mohan Lal the way they have treated Santhosh Pandit for their performances in the movies such as Vaamanapuram Bus Stop, Thuruppugulaan or such. I also wonder why did Manorama News bring a psychiatrist to the debate on a movie. Would they do the same thing to discuss a crappy movie of any of the leading stars in Malayalam?

Related: Kerala’s YouTube stars!

Looking for talents in western music

A music appreciation group from Hyderabad is looking for talents in western music to organize shows/gatherings. They organize both Indian and western music shows, without any commercial intention, but is in need of western music talents. If any western musicians are in and around Hyderabad, or if there is anyone from other parts of India traveling to Hyderabad, you can get in touch with the organizer to arrange a recital.

For more details, please contact Jagdish D. Antony in the following numbers:

040 23736512 (land line)
098494 06836 (mobile phone)

The state of music retailers

[This was first appeared in Soundbox, September issue, as part of the cover story by Anita Iyer on the future of physical music retail in India]

The music retailers in the south-Indian city of Thrissur are on the verge of losing their business to the greater threat of Internet piracy. Some of the small players in the business have already shut down their shops for good and the remaining retailers are struggling for business. Now there are only two large music stores in the city, if you ignore a couple of small stores, and the grapevine has it that one of them are planning to shut their business down soon. But how is it possible that a small south-Indian city music business is affected by Internet piracy? We are not living in a country like UK where 83% of the population are online. According to World Bank’s development indicators, we have only 5.3% of our population using Internet. So what could have lead to this situation?

Blame it on the mobile phones. Now everybody has one and they use it extensively to play music than making and receiving calls. Youth, regardless of the economic class they belong to, are addicted to playing music on their cell phones. From the school/college students to manual laborers working on a construction site, music plays in the background. But where do they get these MP3 files from? If you take a look at the students, they know how to access and download the latest film songs from websites. But even they are not willing to spend time browsing on Internet for MP3 songs. They know an easy way – bring their mobile phone to the nearest mobile phone selling and servicing shop, give them a phone memory card and get the latest songs copied after erasing the old ones. The mobile shop charges a small fee but you get the songs you want for a much cheaper price than buying an authentic CD from a music shop.

Mobile phone shops and Internet cafes run this as a side business. All you have to take with you is a phone memory card, USB thumb drive or a blank CD. CDs are fast disappearing and it is the memory card that the youth prefers and USB storage drives that businesses and vehicle owners prefer to go with.

Then what is left for the retailers? Gone are the days of music fans who would line up to buy an A R Rahman album on it’s release date. One of the music shops in Thrissur, Melody Corner, has introduced an ATM (ATM stands for ‘Any Time Music’ here) where people can choose from a collection of 1.5 lakh songs and copy the chosen songs to a CD. But they cannot compete with the price that the mobile/Internet shops offer because the latter gets songs off piracy websites for free.

A large portion of music stores is now dedicated to movies. The loyal buyers of music seem to be those who have a genuine interest in a wide variety of music – like western/eastern instrumental, classical music, ghazals, devotionals, world music and old Hindi/Malayalam song collections of a particular singer or composer. Can music retail business in small cities survive with this small group is the remaining question.

Jagathy vs. Ranjini – What’s missing in the debate

There has been so much fuss about veteran Malayalam actor Jagathy Sreekumar’s mockery of reality show anchor Ranjini Haridas on the grand finale stage of Munch Star Singer. The majority of the people who cheered Jagathy were Malayalee men, with a few exceptions from some ‘progressive quarters’, but both the “for” and “against” arguments have missed some valid points that Jagathy had raised. But let me clearly state that I don’t fully condone Jagathy’s ‘show’. There are a few things that I did not like about the way he spoke. But I totally agree with the core point of his speech, on which I will comment later in this post.

One thing I liked about the beginning of his speech was that Jagathy had congratulated the judges of the show for all the right reasons. He mentioned that compared to the judges of other reality shows, the judges of Munch Star Singer (singers Venugopal and Sujatha) were patient to correct the kids, without making fun of them to entertain the audience/viewers. Here, we know which show and to whom he was referring to. I haven’t seen any other popular celebrities speaking up against this on TV or in public except Yesudas (who once made a mockery of, whom I would call, “the Sangathy man”). But that is obvious, no Malayalee celebrity would want to offend one of the most popular TV channels in Malayalam. They would be risking some prime time TV appearance by this. So I think it takes some courage on  Jagathy’s part to say this.

Then the mockery happened. What I didn’t like about that part was that Jagathy could have conveyed what he wanted to say in a better manner, without insulting the anchor who was standing next to him on stage. It is probably the Malayali male ego and jealousy of women who speak English, I guess. And it could be the same reason that the video of Jagathy’s speech is spreading across YouTube. Part of his speech was also taking a chunk of allowed time to elaborate on what would get him some claps. He also didn’t have to unnecessarily drag actor Jayaram into the issue. He could have spoken for himself.

But the main point that he raised in his speech is valid. Jagathy said that the anchors do not have the right to pass judgement on the singing/performance of the participants (and I assume that he did not mean to avoid encouraging/supportive comments). He said that is a bad practice and anchors should do just their job, of presenting the show well, rather than passing judgement. Evidently, he aimed at Ranjini Haridas and he is right at that too. This is what some of the opposing voices against Jagathy, feminists and ‘progressive people’ alike, fail to see.

Ranjini Haridas is as bad an example for an anchor. She has made unwarranted comments on the participants and their talent. In some cases, this has reached an abusive level. Read this post from Insight Young Voices.

The following is from a 2008 segment of the show. The compere, Ranjini Haridas is admonishing the ill-fated singer Somadas who had just delivered a supposedly miserable performance in the classical music round:

“The judges have been telling you to start learning classical music for the past 4-5 stages, but have you? You know that in this show we are not looking for a particular type of singing. One has to sing classical songs, songs with feel, there must be range, perfect pitching, will Somu fit in this would be a question in spectators’ minds. you must realize that you have reached this far not because of them [pointing to judges] but them [pointing to spectators]. It’s their SMS that has pulled you through from stage to stage. But this competition should be won by the best singer.”

Let’s check out another segment of the same show. This is from an elimination round in 2007. Of the two singers in the fateful danger zone, Thushar is a classically trained singer and the other, Sannidhanandan is not. One of the judges Usha Uthup comments, “This is the most extreme spectrum. On the one side Thushar and on the other extreme Sanni“ music and popularity.

The compere Ranjini adds: “Sanni has always survived the danger zones because of them, the spectators. Thushar is a strong singer and Sanni is a strong performer.” At the end of the show the compere addresses the spectators and says: “let music be the winner. You must vote for those who are competent.” And in a master stroke she makes Sannidhanandan reiterate that appeal. (Needless to say, both Somadas and Sannidhanandan never became star singers.)

After all these insulting and abusive remarks, Ranjini Haridas can’t get away with it just because she is a woman and gets support from the feminists. Note that in her reply to Jagathy Sreekumar, she hasn’t admitted her fault. She said as a professional she handled her job well that day without replying in the same coin or running away. That is an admirable professional quality of course, but what about the professionalism when anchoring a popular show like Idea Star Singer?