Padmarajan’s Clara – Part I

[ I am a great admirer of writer-scriptwriter-director Padmarajan’s movies like any other Malayali. After watching his movie Thoovaanathumpikal, I was fascinated by it’s leading lady character Clara. This post is the first of a two-part post that tries to explain how Clara stands out as one of the most powerful woman characters of Malayalam cinema ]

Padmarajan is a director who has given some of the best on-screen characters of Malayalam cinema. Female characters have important roles to play in his films but not at the cost of side-lining the male characters; just like any other typical commercial movies of our times. However, there are a couple of movies in which he portrayed some of the most powerful women characters of Malayalam cinema. And I think Clara, the prostitute from the movie Thoovaanathumpikal, stands out from the rest and is one of the most powerful women characters of Malayalam cinema to the date.

Thoovaanathumpikal (meaning Butterflies in the Spraying Rain) is a much talked about film of Padmarajan where the praises have gone to actor Mohan Lal for his portrayal of Jayakrishnan, a man with complex characteristics (and Mohan Lal has done his job perfectly well). But very little has been written about it’s women characters – Radha (played by Parvathi) and Clara (played by Sumalatha) – but they are proof of Padmarajan’s craftsmanship.

Padmarajan’s Clara is not a typical woman character usually portrayed in Malayalam cinema (or Indian cinema). Clara is not a shy village girl who would surrender herself in love before a man and then would spend her entire life in grief if she was cheated. Here Clara is an exact opposite to the female lead of Padmarajan’s another movie, Novemberinte Nashtam. The leading girl of Novemberinte Nashtam is a happy-go-lucky girl who falls in love with a man who uses her only for the physical pleasure and leaves her in a mental shock which in turn makes her a murderer. But Clara is very practical and ambitious. She chooses the way of prostitution to save herself from her step mother, but she does not want to end up with a pimp who would extract money out of her. She even manages to get Jayakrishnan, the male protagonist, like a firefly to the light, but she doesn’t want to be the reason for his misery. In Thoovaanathumpikal, Clara does not appear throughout the movie but it is she who drives the whole story.

Continue reading Padmarajan’s Clara – Part I

The ‘real’ sad state of Malayalam cinema

There has been a hue and cry in many blogs from Kerala about the sad state of Malayalam cinema. It is a fact that the mainstream movies being released these days are mostly junk and rejected by the audience. But is the state of Malayalam cinema too bad to cry that we are losing the hard-earned status of the best of Indian cinema? Or are we seeing only one side of the coin?

It is true that we do not have a Bharathan or Padmarajan these days who used to bridge the gap between art films and commercial films. But we should also check our attitude towards good films. How many of us who are now furious about the lack of talent in Malayalam cinema have seen Karutha Pakshikal by director Kamal? Kamal himself was so sad about the situation and remember it had one of the two super stars of the Malayalam cinema, Mammootty, in the lead role. There were lots of people complaining about scriptwriter-director Ranjith and the superhuman characters he made for superstars. But when he made a wonderful film such as Kaiyoppu, the Malayalee audience turned their back to the film (remember it had such a star cast with Mammootty and Khushbu). These movies were released primarily because there are KSFDC theatres or else it would have gone from theatres in the first week itself. Adayalangal, which has won several state awards this year, was gone from the KSFDC theatre in the first week itself (director M G Sasi had tough time finding distributors for the film) and director Jayaraj is now looking for help to release his latest film Gulmohar.

This, I say, is the sad state of Malayalam cinema. That we crib so much about the lack of good films but turns a blind eye towards them when they are released. That the film makers are not being able to release their films because there is no interest from theatre owners or distributors. That we never move from our armchairs at least to buy one ticket to see the movie and help the team who worked hard to make the film happen.

Tail piece: The maximum number of films selected for Indian Panorama this year is from Malayalam cinema which includes, Adoor Gopalakrishnan’s Oru Pennum Randu Aanum, KP Kumaran’s Akashagopuram, TV Chandran’s Vilapangalkum Appuram, Priyanandanan’s Pulijanmam, MG Shasi’s Adayalangal, M Mohanan’s Kathaparayumbol and Jayaraj’s Gulmohar.

(Image courtesy: Rediff)

En Mel Vizhundha (cover)

Here is a song after a month-long hiatus. I sang this with Srividya Kasturi. This song, En Mel Vizhundha, is a lesser known song from the Tamil movie May Maadham but it is so beautiful with the voices of Chitra and Jayachandran.

Song: En Mel Vizhundha
Movie: May Maadham
Music: A R Rahman
Original singers: K S Chitra & P Jayachandran
Cover by: Srividya Kasturi & Joseph Thomas

Download MP3 of this song


En Mel Vizhundha | Music Upload

Veronica Guerin

Wouldn’t you love, respect and worship a kind of woman like Veronica Guerin? If you haven’t seen the movie based on her life (which has the lovely Cate Blanchet as Ms. Guiren), you should. I’ve been watching it today for the nth time. Now check out this beautiful song which I heard first in this movie. This song, is called The Fields of Athenry, is an Irish folk ballad set during the Great Irish Famine (1845-1850) about a fictional man from near Athenry in County Galway who has been sentenced to transportation to Botany Bay, Australia, for stealing food for his starving family. The song is sung in the movie Veronica Guerin, by Brian O’Donnell, then aged 11, a street singer in Dublin.

(Image credit: www.independent.ie)

Music recommendations

Breathing Under Water
[Anoushka Shankar, Karsh Kale]
(Listen to audio samples or buy from Amazon)

For those who like albums which belong to the world music/fusion music category, Breathing Under Water is a delightful musical experience. This album is produced by Anoushka Shankar and Karsh Kale and have 13 songs in total. The music is a blend of Indian music with modern sounds. Karsh Kale does the guitars, keyboards and live drums while Anoushka Shankar manages the Sitar and keyboards. On the vocals, you have the ever-amazing Sting, the versatile genius Shankar Mahadevan, Sunidhi Chauhan and Anoushka’s half sister and the Grammy winner, Norah Jones.

Instrumental collaborators include Pt. Viswa Mohan Bhatt (Mohana Veena), Salim Merchant (arranger, pianist) and the legendary Ravi Shankar (Anoushka’s father) himself on Sitar.

Confluence II
[Rahul Sharma, Richard Clayderman]
(Listen to the songs)

This is the second album in the Confluence series by Richard Clayderman and Rahul Sharma. Clayderman is on Piano while Rahul plays Santoor. I am not sure if it is because of the lighter orchestra arrangement, but Santoor and Piano do not mix well together in this album. Both instruments stand out on their own without blending well together. Apart from that, it is a nice album for easy listening and to lighten your mood.

Miles from India

Miles From India
[Various artists]
(Listen to audio samples or buy from Amazon)

Producer Bob Belden teams up with Louis Banks and a number of other renowned classical and Jazz musicians from India and abroad to bring this beautiful album, Miles From India. The team has reproduced popular themes from Jazz music legend Miles Davis‘ recordings and put together a blend of Jazz music with Indian music. The artists include people who have worked with Miles Davis also.

Indian musicians include, Badal Roy (Tabla), Louiz Banks, Gino Banks (Drums), Rudresh Mahanthappa (Saxophone), Ravi Chari (Sitar), Vikku Vinayakram (Ghatam), V. Selvaganesh (Khanjira), U. Shrinivas (Mandolin), Brij Narain (Sarod), Dilshad Khan (Sarangi), Sridhar Parthasarathy (Mridangam), Taufiq Qureshi & Sivamani (Percussion), Kala Ramnath (Carnatic Violin), Rakesh Chaurasia (Flute) and Shankar Mahadevan & Sikkil Gurucharan on Indian classical vocals.

Culture Unplugged: Call for writers

Culture Unplugged is a new media studio focused on enabling networks of socially/spiritually conscious content and its creators. According to them, they are dedicated to bring authentic voices of diverse cultures to global audiences. Voices that needs to be felt & understood, stories & films that connects people from different parts of the world.

Read more:

We are launching an online venue with weekly blog catering to our primary audience – film-makers, film-lovers, conscious creatives/citizens. This venue is to be launched in October/November 2008. Through this effort, we are not just building a platform/structure that simply publishes content, but one that raises consciousness of film-makers as citizens and unites people through their spirit.

Our wish is to adopt a voice that is: Mature, Noble, Pragmatic, Frank, Fearless, Fresh; truth-seeking, expansive & inclusive, sharp-focused, thoughtful & sensitive – holding compassionate viewpoint of humanity and disparate cultures.

We are looking for writers who wish to blog and engage with global audience in a dialogue through this online platform. These opportunities are for freelance contributions which can commence now. Compensation is based on expertise/experience and efforts required.

We believe your voice can provide invaluable inspiration & vigor to our audience. We have debuted recently with the launch of Asia and MiddleEast’s first online film festival of seen and unseen cinema.

Our festival partners are Barrie Osborne (Producer, New Zealand, 7 times – Oscar winner), Michael Pyser (Producer, USA, Several Oscar Nomination) and Shekhar Kapoor (Film-maker/Director, India, Oscar Nominated 2007). Now we are launching an online platform to facilitate cross-pollination of ideas, spirit and knowledge among storytellers, content producers, professionals from social/scientific arena and global audiences.

Also check out their online film festival section. The movies are fast loading and there are so many independent movies. A feast for people who enjoy independent movies.

Coke Studio – A musical experience

Coke Studio

I remember an email that was circulated sometimes back with a picture of some beautiful Pakistani girls. It said, “this is what we missed because of partition“. 🙂 Not denying that ( 😉 ), but whenever I listen to some Pakistani music bands and artists, it makes me feel that it is them that the biggest loss of partition.

Recently, I came to know about Coke Studio (through my friend Thulasi), which brings a series of live studio recording sessions. Something similar to MTv Unplugged that rocked the music world. The participating artists include some of the popular names known to Indian music lovers as well – Rahat Fateh Ali Khan, Ali Azmat, Strings etc. I have heard a couple of recordings and it sounds great.

Check out their episode #4 and realize what we really missed because of partition. 🙂

Nalinikanth’s music album

Nalinikanth Josyabhatla is a techie and a passionate music lover. He loves composing songs and he made a music album in Telugu language with his newly found software. The songs are available in his blog to listen and comment. The first song itself has made my day. Go and listen to his album.

In April this year, I came across a Software (Noteworthy Composer) that can be used to Notate (western) and Simulate the music composed. Slowly, by the end of May, the repository built to about 20+ tunes, some Background Music bits and some western pieces for Piano, prompting me to make a self-driven private Music Album 🙂