I have known Karthik Raju for some time now. We have had very interesting chat sessions about music and singing and I enjoyed all those chat sessions. Even though we have never met in real life, music has been the factor that united us. Ever since I have met him online and chatted with him about music, I asked him to create a music blog. Finally he has come around and started a music blog. He has a Salil Chowdhary-Yesudas song as his first song. Check it out and let him know your valuable comments.
Category: Entertainment
A Salil Chowdhary song
It has been a long time since I have sung an old Malayalam song. Here is a fun song, composed by the legendary music director Salil Chowdhary, from the Malayalam movie Thoma Sleeha. I sang this one with Vidyu, one of the most amazing singers in the online world. Thanks to Vidyu for suggesting this song.
Film: ThomaSleeha
Lyrics: Vayalar
Music: Salil Choudhary
Original singer(s): Yesudas, Sabitha Chouwdhary
Cover by: Jo and Vidyu
Meet Akash Kingston
[Lies on the Prize, directed by Dubai-based Akash Kingston, won the first prize at the 15th Slamdance Film Festival 2009. He shares his winning experience with KK Moidu]
Akash Kingston was chosen by the Real Ideas Studio Student Filmmaking programme in 2009 for Slamdance Film Festival held in January in Park City, Utah, USA. Eight documentaries made by thirty-two students from different backgrounds from all over the world were screened at the festival. Akash’s team got the story idea for the winning documentary from colleagues. He was the head of one of the eight teams selected through an interview and skills assessment by the board members of the Real Ideas Studio. Twenty-year-old Akash, son of Kingston Gilbert and Usha Kingston, is a graduate in film production from SAE Institute, Dubai.
Born in Calicut, Kerala, India, Akash has been living in Dubai for the last 13 years. Akash was the only one to be selected from the Middle East and the Asian region for this prestigious event. The participants had been given a short period of 10 days to write the script, shoot and edit a five-minute short film. Akash’s film was selected by the jury as the best film from the entries submitted by more than 30 students from around the world.
Thendral Vandhu Ennai Thodum (cover)
Here is my first duet with Meena. A beautiful song by IR. Thanks to Meena for suggesting this song.
Song: Thendral Vandhu Ennai Thodum
Movie: Thendrale Ennai Thodu (Tamil)
Music: Ilaiyaraja
Original Singers: K J Yesudas, S Janaki
Covered by: Jo, Meena
Jotheyali from Geetha (cover)
Here is a Kannada song again. It was Sindhuja who had suggested to sing this song. She sent me the lyrics with English translation, corrected many of my diction issues, sent emails back and forth to work out on the mix and finally lend her beautiful vocals for the song. Thank you Sindhu!
Jotheyali is a beautiful song, yet another example of Ilaiyaraja’s amazing talent. The beautiful interludes in this song are a gem of a work. Listen to this and let us know what you think.
Song: Jotheyali (Kannada)
Movie: Geetha
Music: Ilaiyaraja
Original singers: SPB, Janaki
Cover by: Joseph Thomas (Jo) and Sindhuja
What Is A Youth
Listen to this beautiful song from Romeo & Juliet, composed by the one and only Nino Rota. I have been playing this song in loop since today morning. 🙂
The Cons of Singing Karaoke
Reproducing a popular song is not an easy task. You have to take care of so many things when you sing the karaoke version of a popular song. Your audience belong to different classes and it will show up in the feedback you get. For most people, it is an excellent performance if the singer has imitated the exact voice of the original singer. As a result, you will see singers struggling to sound like the original singer in many stage shows. It ends up being mimicry but people would applause saying “he sounds like Yesudas” or “his voice is the same as SPB” etc. Here, the singer is satisfied as he gets a round of big applause for trying to copy the exact song in the (almost) exact voice. But he/she fails as an individualistic singer. But for the professional performers who have to sing before the masses, they do not have a second choice as their livelihood depends on the success of the show.
There is another class of audience who does not care whether you imitate the voice of the original singer, but they want to hear the variations and nuances intact. They would be unhappy if you chose to ignore some of the original variations and put some of your own. This class could consist of people who are musically trained or have the technical knowledge of music. It is hard to please this class too.
If you choose to please these two classes of people, you will end up being a ghost or a xerox copy of some popular singer. When you try to imitate a singer or his styles too much, you end up being nothing but a copy. Also remember that even the original singer cannot exactly reproduce what they have sung in the studio. Watch some of their live shows as an example.
My suggestion is that do not bother too much about sounding like the original. Understand the lyrics, stick on to the basic emotion/expression/feel that the lyrics suggest and sing from your own heart. Do not bother too much about the original variations and nuances of a song. Just add your bits to it and sing it from your heart. Make it your version so that singing karaoke tracks would not be a monotonous task.
Just to add that I am not suggesting that you should not pay attention to the original song and it’s variations when you sing a karaoke version. Paying attention to those details in the original version would help you a lot in the practice sessions. And you can learn a lot from those popular singers. So keep an ear for that in the practice sessions, but add your inputs when you actually sing/record a karaoke song.
In my early days of music blogging, there were people who told me that “you sound like Yesudas” or “your voice resembles Madhu Balakrishnan” or “you have a voice similar to Venugopal” etc. I think that as soon as people hear a new singer sing, they have a tendency to identify the singer with a popular singer. Or this could be the problem when you sing karaoke songs of a particular singer. Say for example, when Sonu Nigam used to sing Mohd. Rafi songs for a long time, he was seen as a Rafi double, but he failed to make his own mark. People who heard Sonu remembered Rafi. He was also branded as a singer who could do only sad songs. But we all know where he stands now after he got a couple of breaks in the film music industry.
I remember what an online friend of mine, who also happens to be a singer, said in one of your chat sessions about music – about karaoke singing and reality shows etc:
You can only satisfy one or more of the following but not all:
1. Classes
2. Masses
3. Your own selfOne of those 3 are always unhappy.
I would always prefer to please option #3 first which itself is a very tough task! 🙂
(Image source: Internet)
Nenjukkul Peythidum (Vaaranam Aayiram cover)
Nenjukkul Peythidum is a beautiful love song that I heard in the recent times, perhaps after my last year’s favorite Kangal Irandhaal. This song is so out of the world in the magical voice of Hariharan ji and it has been pictured very well too. Now it goes to the list of my favorite Hariharan songs – Uyire (Bombay), Nahin Saamne (Taal) and Dhimi Dhimi (1947 Earth). I tried to do a cover and here is how it sounds. 🙂
Song: Nenjukkul Peythidum (Tamil)
Movie: Vaaranam Aayiram
Music: Harris Jeyaraj
Originally sung by: Hariharan
Cover by: Joseph Thomas (Jo)
An Indian victory?
Do we call it an Indian victory?
That was the question that CNN-IBN panel asked Kamala Haasan (whom the media used to call Kamal Hassan earlier) relating to the Oscar sweep of the movie Slumdog Millionaire. We can see how futile this question is, since Slumdog Millionaire is a British production, directed and produced by a Brit and the major chunk of the technical crew were Brits. Why should India, the nation, celebrate the victory of Slumdog Millionaire? The British have a reason to celebrate but what does India have to call the 8 oscars the movie got as an “Indian victory”? Our celebration should be about the individuals who have won the accolades in the Oscar platform. A R Rahman and Resul Pookutty for the global recognition that they have got.
Adding to the absurdity is a comment from Delhi chief minister Sheila Dikshit. She reportedly said that Slumdog Millionaire has created history in the field of Indian cinema. How did Slumdog create history in “Indian cinema“? But she doesn’t just stop there and goes on to offer tax exemption for the film. The union Home Minister P Chidambaram has also joined the bandwagon by requesting finance ministry to exempt the film from tax.
Just think about it. So many quality regional language films are struggling in India without getting distributors or theaters to exhibit their films and the government did not do much about helping them promote their films. And then, a British film which was released under a big banner like Fox Searchlight Pictures win Oscars and it gets tax exemption in India. So much for our government’s love for art and cinema.
If the government and politicians are so much moved by the recognition that A R Rahman and Resul Pookkutty received in the Oscar arena, what they should do in return is to help these individuals help others who are interested in the fields of music and cinema. How about offering scholarships or sponsorships for talented but poor youngsters to learn the technical sides of Cinema? Or how about sponsoring talented but poor youngsters to get an entry into a renowned musical institute? Or how about helping A R Rahman to offer the poor but talented youngsters a chance to learn world music from his upcoming musical conservatory? Well, I think we will hardly see any of these happening.
Let me conclude with Kamala Haasan’s answer to CNN-IBN’s question, because he puts it rightly.
This day means something to Danny Boyle, Rahman and to an extent some of the Indians. But it doesn’t mean anything to Indian cinema till Indian cinema tries to make quality films. So when it does that, it will deserve the recognition and it doesn’t mean that we are not making quality cinemas. We are not respecting quality cinemas as it should be. That is because content might be king but placement is very important.
(Image courtesy: IndiaGlitz)
Oscars to India
The 81st Academy Awards have been announced. A R Rahman and Resul Pookkutty made India proud in the event and people everywhere is talking about it. Not so surprisingly, Slumdog Millionaire packed 8 Oscars in the event. I feel sad for Thomas Newman, for his work in Wall-E (for background score) was not recognized but those who appreciate music knows no matter what a bunch of people in the Academy decides, Mr. Newman’s work excels than the rest of the nominations. I am happy for A R Rahman though, as a fan and a fellow Indian, but I still don’t think the song Jai Ho is worthy of an Oscar. A R Rahman has done better work than this in the films made in India.
I couldn’t watch the show live but hoping to watch the re-telecast tonight. By the way, I have got 13 out of my 21 Oscar award predictions right. 🙂