Manju Pole Oru Swapnam: Song video

Back in 2008, I had an interesting music project to work on. Those of you who follow my blog would have read about it. The opportunity was to compose and sung for a Malayalam telefilm project but the song was never officially released. This is a UK Malayalee production and was entirely shot in the UK. You can read more about it in this blog post. Now the song video is complete and it will soon appear in the Malayalam TV channels. So here is an exclusive online release of the song. Do check it out and let your honest comments pour in. 🙂 Thanks much!

Song video credits:

Lyrics: James Bright
Composed and sung by: Joseph Thomas
Camera: Chris Stevens
Editor: Prem & Xian
Director: Jayaram Sthanumalayan

Music credits:

Orchestration: Ajit Gopalakrishnan
Rhythm Programming: Bharath Venkatesan
Mixing: Nandu Mahadevan

(My thanks to Dr James Bright and Jayaram for making this happen!)

Mazhanrutham

Singer Pradip Somasundaran has ventured into music direction with the album titled “Mazhanrutham”. The songs for this album where penned by movie director Sohan Lal (he also did the video for the title song). Singers include actor Manoj K Jayan, Pradip Somasundaran, Gayatri, Shahbaz Aman, Franco and Bhavyalakshmi. Here is the music video of the song “Mazhayil nin mizhikal” featuring Manoj K Jayan and Maithili (Paleri Manikyam fame).

Linkaholic

Beat of India is a website that popularizes the traditional folk music of India. They cover a vast variety of regions in India. A wonderful effort indeed.

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Here is an inspiring story of a laborer boy passing the entrance exam for IIT. Don’t know how the elitists of the institution would treat him, but let us hope for the best and cheer for him.

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And a spot-on ad for the new season of Kaun Banega Crorepathi. 🙂

Go, Keshava!

Here is an amazing child prodigy on Tabla. I just learned from Hiran that he had performed for the inaugural ceremony of the Common Wealth Games in Delhi. What really caught my attention and what really made me smile and appreciate is how much he enjoys playing music. Look how happy he is!!

Review: Sound Box magazine

Sound Box magazine

Though touted as a music trade magazine, I think Sound Box will be interesting to all kinds of people who love music. Their initial package looks very promising. They had a buzz section that covered latest Indie, digital, TV, radio, gadget news. The main feature was about the amendments to the copyright act and the responses of various personalities to the issue. It has an interesting interview with singer Sonu Nigam on the issue. The guide section gives it a more elaborate look on the music charts, local events calendar (which will need to expanded to southern Indian cities like Bangalore, Chennai etc).

One hopeful thing though is a section called “Watchtower” where they have featured a state and this time a north-eastern state – Mizoram. Sound Box has given an overview of the state’s music scene, covering everything about it – music culture, music channels, popular local talents, venues, music labels, studios etc. It also has an interview with Boomerang – the Junk Rock band from Mizoram. I hope this would eventually lead the mag to cover or explore all regional music scenes, including the southern states. Another interesting story from the inaugural issue is about a Tamil rap band from Dharavi.

I see a couple of drawbacks to the mag though. The price being the first one. Though the good people at Sound Box sent me a free copy, the magazine is priced at Rs. 150. I think that price is a bit high for an ordinary music lover. I don’t think I will spend anything more than Rs. 50 on a magazine and that could be achieved by making the poster sized pages thinner and by reducing the huge size of the mag. Size is the second thing – I wish they had a lesser size for the mag so that it would be easy to carry it along on journeys and would make a comfortable reading in public places.

Other than these two, I totally loved the mag and wouldn’t mind subscribing to it.

R.I.P Swarnalatha

Swarnalatha, an awesome singer whose unique voice kept us mesmerizing throughout her singing career (how can I ever forget the sad version of “Poraale ponnu thaayi” from the movie Karuthamma”?), has left this world. She will live through her songs. Rest in peace, dear singer…

Rahman’s Commonwealth Anthem

I have never read such a sharp, spot-on critic review in the recent times. Here is Sadanand Menon’s take on A R Rahman’s Commonwealth anthem, published in Outlook (reproducing it in full here).

RAHMAN’S ‘ANTHEM’ ADHYAAY

By Sadanand Menon

Anthems are devised to make your spirit soar. When they crash-land, they can also leave you sore. For some time now A.R.Rahman has been on song. This time the song is on him. His Jiyo, Utho, Badho, Jeeto takes all of 4 minutes and 16 seconds to expose you to the perils of skydiving without a parachute. But then, this is the anthem for the 2010 Commonwealth Games and, like many other things connected with this year’s CWG, it is just another kind of cruel sport.

The idea of an anthem for sporting events is arguably to foreground a consistent theme as a focal point of the event and to unify the audiences with the adhesive of a familiar, infectious rhythm. In the present context of a Games mired in debilitating controversy and hint of sleaze, a rousing anthem could have been a talisman to unlock some positive energy.

But the present offering of India’s own Mozart, launched with much fanfare on August 23, has left even the Group of Ministers unhappy. That must be the ultimate ignominy – that aesthetic cynicism of such crass proportions can even affect the GoM. Though, one suspects, it was not so much the notations on the music sheet but the notations on the bill that did the damage.

Even as Oscar-hero Rahman was concatenating, at super-speed, his CWG jingle that jangles with some of the most pedestrian verses in recent times, he also fed into the computation a punchy figure of some Rs.1.37 crores for every minute of the song. Total, Rs.5.50 crores.

In 2006, for the inaugural functions of the Frankfurt Book Fair where India was the ‘Guest of Honour Country’, a proposal by music composer Ilayaraja to present a Carnatic raga using a 120-piece Western philharmonic orchestra, was summarily rejected because of the price tag of Rs.95 lakhs attached to it. But times have changed.

The funny thing about Rahman’s Swagatham number this time is that after its recitative first part – with lines as stiff and strangulating as ‘Junoon se, kanoon se, maidaan maar lo’ – the second performative segment breaks into a beat that sounds like a rip-off of his own composition Ramta Jogi in the film Taal. Obviously Rahman is now famous enough to plagiarize himself and even charge us for it. But the obvious question that needs to be asked is why did he even try? Why did he not simply offer back the same Ramta Jogi(Playboy Ascetic) as the anthem for the Games? The song has all the right foot-tapping ingredients, including oblique references to playful charlatans that would have blended well with the CWG.

Of course, Rahman’s anthem cannot be disconnected with the overall plan for inaugural and closing ceremonies of the Games. The fancy committee for the inaugural events has for a few months now been grappling with the logistics of how to present India in this highly televised event. It is a committee in search of a spectacle. The spectacle of a fake, make-believe India populated with Bollywood dancers and swirling silks, crooning divas and simpering starlets. Last time around, they were thinking of making a sound-and-light show with ‘Om’.

It is an India that has no specific location on this planet and is far removed from not just the lives but even the fantasies of its people. This is an India that is the pet project of its robber-barons who are enabled, each time, to whisk away some more resources in the name of an abstract nation.

That the vulgar Rs.380 crore budget for the opening ceremonies could not set aside a few crores for a group of poets in different languages to write an appropriate song for the opening anthem tells its own story of gross disinterest even in the context of the indefensible. Instead we have some utterly filmy gibberish like:

Uthi re ab iraadon mein tapan / Chali re gori, chali ban tthan.

The lines, as much as the composition, are stolen from some other context. As we believe are the Games.

Ariyaatheyennaal (original composition)

Poet Sivakumar Ambalappuzha had posted a few lines of poetry in his Facebook page and asked if anyone would compose a tune for it. I was just about to get to bed after recording my Onam song when I saw this message. His lines were so beautiful and the music had to flow. That’s how this short piece was born. I had a quickie 10 minutes long composing and recording session. The song is incomplete, it’s only a couple of lines and if Sivakumar wills, we will probably make this a complete song soon. Here it is anyways, for you to listen.

Song: Ariyaatheyennaal
Composer & singer: Joseph Thomas (Jo)
Lyrics: Sivakumar Ambalappuzha

Download the draft MP3 of Ariyaatheyennaal (987 KB)

Happy Onam! And an Onam song

So here comes another Onam! A time for all Malayalees to come home and celebrate the togetherness with family and friends, the colorful Pookkalams and yummy Sadyas. Here I wish all my Malayalee friends a happy and prosperous Onam. Let us not forget the inspiring myth behind this festival – of everyone in the place being happy and prosperous, of everyone being just and fair to each other.

ഓണാശംസകള്‍!

I chose this song because of the Onam spirit that this song has, right from the beginning of the song with “aaRppO… EeRRO!”, poo viLi and the rhythm of a boat song. I should thank my friend Sujay who first brought this song to my notice when we had to choose a song for the Onam competition in our office and then to Vishnu for providing me the track. The track is made of some loops and gets faster at places and I had to make do with it.

Album: Poothaalam
Composer: Kannan
Lyricist: Chitoor Gopi
Singer: M G Sreekumar

Download MP3 of “Vannallo Ponnonam” (4.25 MB)

Vande Mataram 2010

It’s another Independence Day. Time to celebrate where we have come so far and to remind ourselves of the roads ahead.

Independence Day is quite often considered as a time to display our nationalistic fervor. We exhibit our nationalism by waving flags or raising flags, distributing sweets and wishing each other. We also exchange emails that say we should take pride in our country etcetera but I wonder if that is what it is all about – an exhibition.

I have asked this question myself – am I proud of my country? I am. I am proud of all the good things and good people we have here. But at the same time I am ashamed of all the bad things and bad people and a bad system that we have in this country. And I think patriotism is not about feeling superior or inferior to any other countries in this world. Plainly put, it is about belonging here.

But just because I feel that I belong no where else in the world but here, it doesn’t mean that I would ridicule any other Indian who doesn’t feel like belonging here and find that sense of belonging elsewhere. I wouldn’t call him/her unpatriotic. Because their feeling of being alienated in their own country pauses a question before ourselves. What is it that makes them feel that way, though they have lived all their lives in this same soil? What makes them feel India is worse for them and perhaps there is a better place in the world than India? What makes them feel that they are secondary citizens in their own country? What makes them feel that democracy and politics are a softened form of the old colonial system? These are the questions that we should ask ourselves and to our society. And it would open up our eyes to see the nation in a different light. Through others’ eyes, and see what went wrong and where. It’s a long process. Seeing it, identifying it, talking about it, getting others to engage with it, making a movement, pressuring authorities to do something about it and thus finally making the change – however small or big it is. In this long process, often people would call you names – “un-patriotic“, “pseudo-nationalist“, “pseudo-secularist“, “anti-development” and what not. Let none of that make you feel down. Keep working your way.

I have high hopes for my country even through all the idiocy and the hopelessness it gives me at times. I think many things have changed for good from the way it was several years ago, thanks to the continued efforts of change makers from grass-root level. I am sure things will continue to improve as many selfless people work towards it even when they are being ridiculed by their fellow countrymen. And I don’t feel inferior of my country when I compare the situation here with other countries that have a more liberal, inclusive and better system in place. Because it did not happen for them on one fine day. It took many brave souls and a long process there too, perhaps the time they took for such changes was shorter.

So here is my humble tribute to those martyrs. To those who were shot at for speaking against the oppressors. Those who were jailed. Those who were beaten or hanged for voicing out. And to those freedom fighters of our times. Many of them, unknown to us. Those who work on to make India a better and better place. Those who work on several issues – dalit, tribal/adivasis, marginalized and economically backward communities, women, sexual minorities, health care, domestic violence, political violence, terrorism, religious extremism, justice, corporate crimes, environment and so on.

To all those brave souls, I dedicate my song…

Song: Vande Mataram 2010
Composed, lead & harmony vocals by: Joseph Thomas (Jo)

Download “Vande Mataram 2010” MP3 file here (3.58 MB)