Just Sharing – 4

Finnair flash mob
(from Facebook)

A Dance Crew surprises passengers after boarding of a Finnair flight to Delhi to celebrate India’s Republic Day on January 26th 2012.

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Yeh Honsla – cover by Jonita Gandhi
(from George Kuruvilla on Facebook)

Here is a ‘candlelight cover’ of Yeh Honsla, the song from the Hindi film “Dor”, sung by Jonita Gandhi and arranged by Aakash Gandhi. A wonderful rendition and production.

Just Sharing – 3

Six hands on one guitar
(from YouTube)

This one is yet another amazing collaboration. Three people, six hands, and one guitar. Check it out!

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It’s never too late to help
(Video shared by Kumar NM through Google +)

“It’s never too late to help some on the right track” is a spcial media campaign from Norway, aimed at recruiting foster homes for young people between 15 and 17 years. This well done video is made as part of the campaign.

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Just sharing – 2

Hotel California mixed with Pahla Nasha
(Shared by < don't remember who it was > in Facebook)

This is an awesome attempt at mixing both the songs in a beautiful way. With the tone of Santoor playing the lead instead of guitar and the apt rhythm arrangement, this is an awesome piece of music to listen.

http://youtu.be/V0sZqbPAXuQ

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Celluloid Calligraphy
(Shared by Slogan Murugan in Facebook)

This blog, Celluloid Calligraphy, is an effort to explain the calligraphy styles used in the Malayalam cinema, particularly the old ones. A great effort to appreciate the works of masters.

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The Hang
(Source: Facebook share)

Found out about this instrument which was unknown to me. Sounds like sort of a ‘steel Ghatam’, it is called The Hang. There is a Facebook page that features some works played with the Hang. Check ’em out.

Just sharing

I’m just posting the interesting videos or other tit-bits that I gather from my social media accounts into this space. Once a week. You could share the interesting ones you get too.

FaceCake’s Kinect Dressing Room
(Shared by Ashik in Google +)

This one is truly awesome! At the Microsoft booth in CES 2012, they demonstrate how you can try out different clothes and accessories without even wearing them. All you gotta do is just stand in front of a Kinect camera and try out new clothes. You can even move along to see if the dress fits you right in all angles, as if you just wore them. Truly amazing stuff!

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A Violinist in the Metro
(Shared by Thulasi in an email)

Washington Post ran an experiment in a metro station at Washington DC. What they were trying to find out was whether we perceive and appreciate beauty in a commonplace environment at an inappropriate hour. They had a best musician playing one of the best pieces of music ever written on a very expensive violin. And the result? Read on… 🙂

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I Think You’re Fat
(Shared by Ashik in Google chat)

When I read the title of this article, I asked Ashik if it’s yet another fitness piece. It’s not just the title, but the names of magazines like Esquire, Cosmopolitan etc. puts me away because I never could relate to or enjoy the content printed in those magazines (not that I have checked out a lot of them). Ashik did not explain what the article was about than asking me to read it, and since it is him who recommends, I saved the link to to read later. And it was one funny, thoughtful piece though it spans over 5 long pages. To give you a brief idea of what it is, this one is about Radical Honesty. As it says in the beginning, “This story is about something called Radical Honesty. It may change your life. (But honestly, we don’t really care.)” Read more at the Esquire page.

Malayalam film songs of 2011 – My picks

2011 may not have been an exciting year for Malayalam box office, but it certainly was a turning point in the history of Malayalam film music industry. The industry had opened up to the rock music genre last year and a new trend of movie inspired OSTs had been introduced. As a result, we had a song from India’s leading  and Kochi’s own rock band Motherjane for the film Anwar in 2010. The trend continued this year with the Malayalam rock band Avial played the end title song, Aanakkallan, for the film Salt N Pepper. It seems to be continuing as the audio of the end title song from the upcoming film Asuravithu, sung by the new rock sensation, X-Factor fame Piyush Kapur, is out on YouTube.

It shows that the new age film directors who target the young audience are ready to go beyond the regular track to try out something new. And the stage is set right. There has been no better time than now for the independent music scene in India and the youth in Kerala are also reaching out to different genres of music.

2011 was also the year of Shreya Ghoshal in Malayalam film music. She has probably sung more songs than Chitra in Malayalam this year. Unlike other singers from the north and south of India, she has given much effort in terms of pronunciation and that is evident from her renditions. But are the music directors trying to use her pan-Indian image for the publicity of their albums is a question. If that is the case, some of the equally talented young singers from Kerala – Gayatri, Manjari and Swetha – are missing out in the competition.

So here comes my list of top 12 Malayalam songs of 2011. You can view/hear the songs on YouTube, if you click on the song names.

 

Song: Naattu vazhiyorathe
Movie: Gaddhama
Singer: K S Chitra
Music: Bennet-Veetrag
Lyrics: Rafeeque Ahammed

Song: Chimmi Chimmi
Movie: Urumi
Singer: Manjari
Music: Deepak Dev
Lyrics: Kaithapram

Song: Chembarathi Kammalittu
Movie: Manikyakallu
Singer: Shreya Ghoshal, Ravishankar
Music: M Jayachandran
Lyrics: Anil Panchooran

Song: Ithile Varoo
Movie: The Train
Singer: Sujatha
Music: Srinivas
Lyrics: Rafeeque Ahammed

Song: Kannoram Chingaaram
Movie: Rathinirvedham
Singer: Shreya Ghoshal
Music: M Jayachandran
Lyrics: Murugan Kattakkada

Song: Himakanam
Movie: Violin
Singer: Gayatri, Ganesh Sundaram
Music: Bijibal
Lyrics: Rafeeque Ahammed

Song: Chembaavul
Movie: Salt N Pepper
Singer: Pushpavathy
Music: Bijibal
Lyrics: Rafeeque Ahammed

Song: Premikkumpol
Movie: Salt N Pepper
Singer: P Jayachandran, Neha Nair
Music: Bijibal
Lyrics: Rafeeque Ahammed

Song: Pranaya Nilaa
Movie: Teja Bhai and Family
Singer: Shaan Rahman
Music: Deepak Dev
Lyrics: Kaithapram

Song: Manjil Melle
Movie: Makaramanju
Singer: Yesudas
Music: Ramesh Narayanan
Lyrics: Chandran Nair

Song: Amruthamaay
Movie: Snehaveedu
Singer: Hariharan
Music: Ilaiyaraja
Lyrics: Rafeeque Ahammed

Song: Mazhaneer Thullikal
Movie: Beautiful
Singer: Unni Menon
Music: Ratheesh Vega
Lyrics: Anoop Menon

 

Honorable mentions:

To Reshmi Satheesh for the songs Appa Nammade and Chalanam Chalanam from the movie Urumi. The highlight of both these songs is Reshmi’s powerful voice.

To Rex Vijayan for the background score of Chaappa Kurish. Rex has given a totally different approach compared to the traditional way our musicians have been scoring music for films.

 

Related posts:

Malayalam songs of 2009 – My picks
Malayalam songs of 2008 – My picks

 

Trunk Call – song teasers posted!

Trunk CallWe are so happy to post the song teasers from Trunk Call, the upcoming Blogswara album! Trunk Call is the first of it’s kind in the history of Blogswara as the album has a central theme of bi-lingual songs which brings in the flavors of different languages and music genres into each song.

Contrary to the previous albums of Blogswara (earlier, Blogswara let itself to be the platform for ready-to-publish songs so people could send in what they had ready at hand), we had asked the song teams to work on a central theme that required each song to have a minimum of two languages. The theme stands close to the very basic principle of Blogswara, which is to unite people from different places using music as the medium to communicate. Even though we had received 19 song teams announcing their participation, only 6 song teams had submitted the songs out of which only 4 could make it to the final list. So we thank all the 4 song teams who took an extra effort to create new songs based on the given theme.

So here it comes, the song teasers from the upcoming album. Listen, share and show some love! 🙂 The new album will go live online (need I say that the entire album is free to listen and download?) on January 1st, 2012. So stay tuned for the full versions!

Yesudas – fifty years on

Do you remember the first time when you heard Yesudas’s voice? Probably don’t. If you ask me, I would say it is as difficult a question as asking when was the first time you heard your mother’s voice. It is said that not a day passes in a Malayali’s life without listening to this legendary singer’s voice. And now, the man has marked fifty years in the playback singing profession.

Yesudas is the ultimate benchmark for Malayalees when it comes to singing. “You sing like Yesudas!” was the ultimate compliment that a singer could get in the old days. In my childhood, the quality of singing was always measured by comparing a singer’s voice to Yesudas’s. So anybody who had a melodious voice would be fondly called “Junior Yesudas” in the local circle and that’s the biggest appreciation one could get in his local community. This has negatively affected singers who had a different tonal quality (not all good singers need to have a sweet voice and not all songs demand a sweet voice to render them).

As time has passed and people got exposed to various singers and genres of music, the benchmark was changed. Now, at least in the musician circles, having a voice that resembles or ‘accused’ to be resembling Yesudas’ voice is a curse. During my visit to Chennai, I had given a demo CD to a person in the industry on a suggestion from a friend. This person then gave it to a couple of music directors and then later told me that ‘they don’t need yet another Yesudas’. I realized how times have changed from my childhood, when everybody wanted to sing like Yesudas to this incident. From then onwards, the process was to cast-out the Yesudas influence. So I’d be more careful not to sound like Yesudas and would be disappointed and defend myself if I got a comment that said, “you sound like Yesudas!”, even if it is in a positive nature.

Yesudas has a contrasting life story. He was born in a poor Latin Catholic (kind of a Dalit in the Kerala Christian caste-ism) family and was taught music by a Tamil Brahmin. He is still not allowed to enter Guruvayoor temple because he was born Christian, but his song “Harivaraasanam” is played in the Sabarimala temple everyday before the sanctrum sanctorum is closed for the day. The Christian church has not disowned him, probably because of his popularity, even in the old days when a Christian would be expelled from the religion if he went to Sabarimala by following the penance and rituals. He has sung in several Indian and foreign languages, even though the perfection of his diction in languages other than Malayalam and Tamil are debatable. Purists of Karnatik music would say he has too much filmized the classical music, but he could help generate an interest in classical music among the laymen with his semi-classical filmy songs. He had made news when he allegedly said that Lata Mangeshkar should stop singing whereas he continues to sing in his 70s which has begun to draw criticism from some quarters.

For an ordinary Malayalee, Yesudas is not just a singer but an angel who advocates for peace. Somebody who transcends the borders of religion. And there is a saintly aura that was built around him in all these fifty years. And no ordinary Malayalee can tolerate any criticism against him.

One could very well doubt if this saintly, secular image was carefully tailored by the man himself. Though he has often commented on sociopolitical issues, he’s always been careful to sound neutral. When he spoke against something, particularly where the religious extremism is involved, he has never specifically spoken against anybody or any organization. He would pass on general/neutral comments which would give him a round of applause generally from all quarters. Most of the times, this is in the name of harmony and peace but it is debatable if it is part of an image that he is trying to maintain.

No matter how his sociopolitical comments are taken, there are many things that a singer could learn from the man. His hard work that started from the days of live recording, when there was no punch-in softwares available, and his devotion to music that he sacrifices some of the earthly pleasures for music.

At 71, Yesudas is not much of a wanted name in the Malayalam film music industry. With a wide variety of choice of singers and exposure to other language music and genres, Malayalees have learned to live past Yesudas. Perhaps this would be the right time for the singer to do what he had advised Lata Mangeshkar sometimes back. To stop singing filmy songs and dedicate full time to classical music. Nevertheless, Yesudas will continue to remain an icon in the Malayali community as long as he goes with the popular ideals of the society.

(Photo courtesy: The Hindu)

Santhosh Pandit vs. Malayalam Media/Cinema

So much has been said and being said about Santhosh Pandit, an amateur movie director, actor, producer… (and so on). But nothing has been so abusive as the television show “Niyanthrana Rekha” on Manorama News yesterday. The program started with anchor Shaani saying that Santhosh Pandit’s movie has nothing to it’s credit and from there began the ‘show’ orchestrated by Shaani and Manorama News. Either Shaani has not cared to see the impact that Santhosh Pandit has made (negative or positive) in the Malayali society or she has chosen to ignore it completely. Whichever is the case, she has set a bad example for an anchor of such a show.

Santhosh Pandit definitely has something to his credit. His movie shows that the viral and social media marketing could help a lot in bringing people to theaters, provided it has something to hype about. The hype here was in a negative manner, but Santhosh has used it to the core to make money out of it. People wanted to see and cheer a clown and Santhosh Pandit happily let himself to be one. It is a fair trade and I think Santhosh is the ultimate winner at the end of the day. He’s got everything that an amateur artist could ask for – his video has lakhs of hits on YouTube, for which he claims that he gets Rs. 4/hit, he has appeared on all major Malayalam television channels, his movie is now showing in 14 theaters in Kerala though it was started with 3. The man is making money and he is (in)famous. Shaani of Manorama News chose not to see it.

But it did not stop there. The stage set by Shaani yesterday was taken over by someone called Adv. Baburaj who in all his 18 years of existence in Malayalam cinema was barely noticed until, ironically, he made himself to be a clown of a character in the hit movie Salt N Pepper. He made personally abusive remarks against Santhosh Pandit. He went on to ask if Santhosh Pandit has a mental disorder and made fun of Santhosh’s outfit. All this while the anchor, who is supposed to the ‘moderator’ of the show (someone please explain to her what responsibilities comes with a moderator title) stood silent (and probably smiling). Not an attempt to stop Baburaj or to remind him that personally abusive remarks on public television could not be allowed, particularly when Pandit has not hurled out any abuse against Baburaj.

What Baburaj has churned out with his 18 long years of experience in the Malayalam movie industry are the movies like ‘Black Dalia‘ and ‘Manushyamrugam‘. Both of them were box office disasters and won no critical acclaim and that man sat there rubbishing Santhosh Pandit who is a first time amateur in the industry.

I haven’t watched Santhosh Pandit’s movie “Krishnanum Radhayum” and I have no plans to watch it in the theatres. Just because I can tell from the trailers and clips of the movie I have seen on YouTube that it will be crap (just as I don’t watch Baburaj’s movies either in the theater or on television). Plus, I have no interest to go to a theatre to hurl abuse at someone who has not done any harm to me, knowing exactly what I would get out of it (most of the audience – particularly the young crowd – knew what they would get from the movie and paid to see it on screen). I do look for his latest interviews though, because I am curious to see if this man is consciously making a fool of himself or not. His rationale in many of the interviews are unmatchable and the current Malayalam cinema industry will have no option than being silent before the questions he pause in those interviews.

I think Santhosh Pandit has talent. If not in acting or direction, he would match the current industry standards with his music compositions and dialogues. I like the song “Raathri Subharaathri” or “Vachasaalum Vapusaalum“. I think if any of the ‘surviving’ superstars delivered the punch dialogues that Santhosh has delivered in his movie, they would be an instant hit among their fans. So these two areas are what Santhosh could genuinely work on and contribute to the box office industry.

And for Shaani and her types, I wonder if they would treat Mammootty or Mohan Lal the way they have treated Santhosh Pandit for their performances in the movies such as Vaamanapuram Bus Stop, Thuruppugulaan or such. I also wonder why did Manorama News bring a psychiatrist to the debate on a movie. Would they do the same thing to discuss a crappy movie of any of the leading stars in Malayalam?

Related: Kerala’s YouTube stars!

Looking for talents in western music

A music appreciation group from Hyderabad is looking for talents in western music to organize shows/gatherings. They organize both Indian and western music shows, without any commercial intention, but is in need of western music talents. If any western musicians are in and around Hyderabad, or if there is anyone from other parts of India traveling to Hyderabad, you can get in touch with the organizer to arrange a recital.

For more details, please contact Jagdish D. Antony in the following numbers:

040 23736512 (land line)
098494 06836 (mobile phone)