Category: Music

Mizhi Thammil (cover)

It has been a long break from singing. Not from music, because my Zune keeps singing loudly for me almost everyday. But singing has suffered ever since the series of sickness started at home 3 months ago. Now that an eventful year has passed and an even more exciting year lying ahead, I thought I would post a song before my big day. 🙂

This song is one of my favorites from the Malayalam movie “Minnaaminni koottam”, a beautiful composition by Bijibal, a promising music director in the Malayalam music industry.

Song: Mizhi Thammil
Movie: Minnaaminni koottam
Music: Bijibal
Original singers: Ranjith, Swetha
Lyrics: Anil Panachooran
Cover version by: Joseph Thomas (Jo)

Download the mp3 of Mizhi Thammil Punarunna (Size: 7.15 MB, Bitrate: 256 kbps)

128 KBPS Streaming:

256 KBPS Streaming:

Malayalam songs of 2009 – My picks

My friend Sandeep asked me to do a post like I did in the last year to list out my favorite Malayalam songs of the year 2009. Like in the last year, choosing a list of top songs was not at all a difficult job this year too. I must recall a comment now, that I received from blogger Ajith Edassery to my last year’s post which explains the pathetic trend of Malayalam film music in the recent times:

Personally, I was disappointed at the following trend in the past two years:
– Digital overkill in music industry
– The surge of Telugu dubbed movies in Malayalam and their pathetic songs
– Those ‘mone, kuttaa, edaa…’ kind of so-called love songs in the past two or three years… A blind immitation of Hindi and Tamil that doesn’t naturally fit to Malayalam

Most of the songs of 2009 were run-off-the-mill or the old-wine-in-new-bottle kinda. But there were some good works too. So here is my list of best Malayalam songs from the year 2009. There were 8 songs to pick in the last year, but I have only 7 this time.

7

Song: Anuraaga Vilochananaayi
Movie: Neelathaamara
Singer: Sreekumar, Shreya Ghoshal
Music: Vidyasagar
Lyrics:  Vayalar Sarathchandra Varma

This song is a massive popular hit and you would instantly love it. But as much as I would like to hum/sing this song, I cannot ignore the fact that it is a refined old wine. This song has clear shades of Vidyasagar’s old Malayalam works like “Karimizhiye Kandeela” from Meesa Madhavan and there are people who say that the percussion reminds them of the remixed version of Kaliyon Ka Chaman. There are several pronunciation errors at both singer’s parts and though Shreya Ghoshal is my favorite singer, I can’t take this song to the top 5. I liked the expressiveness in the male vocals (he brings in the right Sringaara bhaavam to the song) and that is the only reason I’m taking this song to my list.

6

Song: Pularumo
Movie: Ritu
Singer: Gayathri, Sujith
Music: Rahul Raj
Lyrics: Rafeeq Ahmed

The reason I chose this song is purely because of singer Gayathri. She has made this song beautiful with her wonderful voice and gave the right expressions which suits the song perfectly well. The male vocals starts at off notes, but Gayathri takes this song so well to make it worthy to listen. Rahul Raj also has done a neat job in composing.

5

Song: Alliyaambal
Movie: Loudspeaker
Singer: Vijay Yesudas
Music arrangement: Bijibal

Many attempts that we had at remixing old Malayalam songs have been pathetic. The people who did remixes of old songs seem to have thought that adding a bit of rap with some random English words would make a good remix (somebody should also explain to them what Rap music is) or adding some techno beats would spice it up. The result is the kind of songs like “Chetti, chetti, chettikulangara” (from Chotta Mumbai) which is quite an insult to the original (I wish such music directors learn something from Leslie Lewis on how he remixes some old Hindi songs). It is in this context that I appreciate the remix of a song that Malayali holds so dear to his heart – Alliyambal. It is a very nostalgic song for every Malayali and any lame attempt to kill the song would definitely be suicidal. But music director Bijibal has done a wonderful job at rearranging the orchestration for this song while keeping the melodic soul of the original. And he roped in Yesudas’s (the original singer) son Vijay Yesudas to sing it (to add market value?). Anyways, the result is a beautiful song and it is definitely a feather in the cap of Vijay Yesudas. I would give the credit to Bijibal. I had written last year that he is a promising music director. Here is a music director with some music sense to watch for.

4

Song: Swapnangal Kannezhuthiya
Movie: Bhagya Devatha
Singer(s): Chithra K S, Rahul Nambiar
Music: Ilaiyaraja
Lyrics: Vayalar Sarathchandra Varma

This is a classic Ilaiyaraja song. There is nothing in this song that surprises you if you are an Ilaiyaraja fan, but it is this melodic treat that you love Ilaiyaraja for and the maestro does not disappoint you on that with this song. The music, orchestration, singers – everything about this is as you wanted to hear. Goes straight to my favs from 2009.

3

Song: Picha vacha naal (my version here)
Movie: Puthiya Mugham
Singer: Shankar Mahadevan
Music: Deepak Dev
Lyrics: Kaithapram

Another massive popular hit from the year 2009 and quite obviously so. Simple but romantic lyrics from Kaithapram and Deepak Dev’s music make this song hummable for everyone. I also like the way the orchestration is done so that there is no heavy instrumental noises in the background where the vocals go. It’s just a simple percussion to support the vocals and that adds so much to the beauty of this song. Kudos to Deepak Dev!

2

Song: Saayam Sandhye
Movie: Sufi Paranja Katha
Singer: Latha Krishnan
Music: Mohan Sitara
Lyrics: Rafeeq Ahammed

Another melodious gem from Mohan Sitara and a soulful rendition by Latha Krishnan (I definitely would like to try an unplugged version of this song). I could just close my eyes by listening to this song and immerse fully into the pleasure that only music can give.

1

Song: Chaanthu Thottille (my version here)
Movie: Banaras
Singer: Shreya Ghoshal
Music: M Jayachandran
Lyrics: Gireesh Puthenchery

This song tops my list for various reasons. There has not been any Dhandiya song (May I add – not that I know of, if there are any others, please do let me know) in Malayalam and M Jayachandran has done a wonderful job with this song. Shreya Ghoshal’s singing is so heavenly. You would forget the fact that she comes from Bengal when you hear her singing this song as her pronunciation in this song is perfect that not even any south Indian singer, other than a Malayali, could deliver it to this perfection. The best part that I enjoyed in this song is when she sings “pRiyanoraaL innu vannuvO” where only guitars support the background and then percussion slowly comes up. Two thumbs up!

Post script: One thing that I have noticed is that the top picks of this year’s songs are mostly written by two (comparatively new) lyricists – Rafeeq Ahmed and Vayalar Sharathchandra Varma. While Rafeeq Ahmed adds a beautiful touch of poetry to his songs, Vayalar Sharath follows the path of his father that contains simple but beautiful words which go straight to your heart. Those two lyricists are here to stay and going to give us more gems, am sure. Also outside Kerala singers like Shreya Ghoshal are singing more often in Malayalam movies. Another interesting thing to notice is that many new singers are coming up and they are being noticed much more than the popular singers like Yesudas, M G Sreekumar etc. In the early days, a singer’s ability to deliver a good song was measured by how well he could sing a semi-classical song, but the singers of these days have very good expressive vocals and a refreshing tone in their voices.

Oh Holy Night

“Oh Holy Night” is one of my favorite Christmas songs ever. Yesterday I was listening to different versions of this song, sung by different singers. And my most favorite ones are the following three versions:

1. Billy Gilman – Just listen to this kiddo singing so beautifully and how he handles even the high notes with ease!

2. Mariah Carey – I love this one the most for Mariah Carey’s vocal range in the higher notes, her beautiful falsettos and the choir singing in the background.

3. Celine Dion – I love this version too, for the sweet, heavenly voice that this lady has.

A Christmas Wish

If you have been listening to music blogs and music online, George Kuruvilla should be a name that you are all familiar with. This amazing singer with a unique voice has recently been chosen by singer Sonu Nigam for his song tribute to Michael Jackson called “MJ, This One’s For You“. Now George has come up with a compilation of his favorite Gospel songs in this Christmas season. Titled “A Christmas Wish“, all the songs (cover versions) are available to listen and download from his blog. Click here to listen and download the songs.

The Maestro Cover-up

I have high regards for composer Ilaiyaraja. Of late, however, the maestro has begun to show some sort of musical sterility in his works. There is no variety or fresh approach in his music anymore. His music doesn’t move you or excite you much these days, even in his trademark melodious tunes. Perhaps this could be one reason why A R Rahman got more popular than Ilaiyaraja, because ARR kept improvising throughout his career. Also Ilaiyaraja has been recycling his old tunes for new movies. His Hindi music scores for the films like “Cheeni Kum” and “Paa” are good examples of this.

When I heard the songs from the movie Pazhassiraja, composed by Ilaiyaraja, it did not move me a bit. Ilaiyaraja’s music for this epic movie was disappointing and average. Usually the movies directed by Hariharan would have some great songs. But this one was a huge let down.

But now the composer is blaming the lyricist over one particular song from Pazhassiraja. Ilaiyaraja said that he is dissatisfied with poet ONV Kurup’s lyrics for the film and he spoke about it at the audio release of the Tamil version of the film at Chennai.

According to the music director, ONV was unable to write the lyrics for a tune that had been selected by Hariharan, from among several tunes that Ilaiyaraja had presented before him. A few months later, the director had approached Ilaiyaraja again with lyrics that had been written by the famous lyricist, and had asked him to compose a tune for the same.

Ilaiyaraja said that the lyrics had the manner of a march past anthem. It had none of the anguish experienced by the warrior. Probably the lyricist must have had a different picture of Pazhassi in his mind, he added. [via]

I think it is up to the director and script writer to decide what kind of lyrics they want for a situation in the film. In this case, it seems that both the director and script writer do not have any problem with the lyrics penned by ONV. Then why should the composer have any issues? Or is it his way of covering up his inability to come up with a good tune for the lines that ONV wrote?

PS: The song Gum Sum from the Hindi movie Paa is a tune composed by Ilaiyaraja for an old Malayalam song (Thumpee Vaa). The original Malayalam lyrics for that song was written by ONV and most of us Malayalees listen to that song equally for it’s poetic beauty.

Update: Here is another take on the songs from Pazhassiraja.

Thank You and Good Bye

Sainoj singer

Singer Sainoj, who has sung the song “Thaamara Pookkalum” from the movie “Orkkuka Vallappozhum” (one of my most favorite songs of the recent time) has passed away yesterday. He was a winner of the musical show “Gandharva Sangeetham” in Kairali TV and has sung in a couple of Malayalam movies including Orkkuka Vallappozhum and Ivar Vivaahitharaayaal. He had the symptoms of blood cancer. May his soul rest in peace…

(Image courtesy: Nowrunning.com)

Neelathaamara

Director Lal Jose has never disappointed the Malayalam movie lovers ever since his debut. Except for twice – with films like “Pattaalam” and “Mulla” – his movies are widely accepted by the Malayalee audience. His movies are mostly set to the backdrop of a typical Kerala village and both the story and camera capture the essence and beauty of the place. The song sequence in Lal Jose movies are a visual treat and he doesn’t go out to Singapore or Switzerland to shoot for a song, yet captures the breath-taking beauty of the ordinary places/villages. His latest (though I am yet to watch it) is one of the 10 short films in the movie “Kerala Cafe” which is already a hit with Mammootty and Srinivasan doing the lead roles.

“Neelathaamara” is one of the year’s much awaited Malayalam film. Lal Jose teams up with writer M T Vasudevan Nair to do a remake of an old Malayalam film. And Malayalees have huge expectation over the film as two magicians (MT and Lal Jose) join hands for this film. The movie is taken in a very low budget. I just saw/heard one song and it has such stunning visuals. I don’t have much to praise the song though. The tune somewhat reminds us of the old popular Malayalam hit songs composed by Vidyasagar himself (what is it with music directors these days recycling the old wine?). The song reminds me too much of Vidyasagar’s early (Lal Jose film) hit “Karimizhi kuruviye kandilla”. And though it is my sweetheart Shreya Ghoshal [;-)] singing the song, the pronunciation at places were bumpy in the song. “nirayum” for “niRayum” for example. Shreya is usually so keen on the pronunciation part and has sung even much more difficult Malayalam song lines with ease (“Vida Parayukayaano” and “Chaanthu Thottille” for example), so I would blame it on the people who were in the studio for this mistake. Another bumpy thing was the over stress at “ka” in the word “akale” by the male singer. But generally it is a good melodious tune, but nothing new.

So here is “Anuraaga Vilochananaayi” mostly for the visual treat it offers. And do check out Lal Jose’s blog.

M G Sreekumar on Tamil songs

MG_sreekumarI saw this when a friend of mine pointed me to this video of an episode from the Malayalam musical reality show – Idea Star Singer. One of the contestants sang the beautiful Yesudas-Salil Chowdhury song “Shyaama Meghame” and the judges began to comment. The pointers, as usual, were based on the adherence to the original. After the famous Sangathi Man‘s comments, the voice-of-Mohan Lal came in. And he started lecturing and here it is:

“You people are addicted to the Tamil songs. Agreed that there are songs with such level of “sangathis” in Tamil, but there are no songs with such variations like we have in Malayalam. So if you try to sing this song in Tamil style, such Sangathis won’t come out.”

There is absolutely no reason to bring in Tamil music there. And if I am to believe what M G Sreekumar had said, what were music directors like Ilaiyaraja doing all these years in music? According to M G Sreekumar, none of them have done any songs with variations in Tamil yet.

Though I am scratching my head to find out the difference between the words “sangathi” and “variations”, I can’t also help thinking whether this is an out-pour of a singer who could not make his mark outside Malayalam music industry. Considering that his success in the Malayalam music industry is mainly attributed to his friend, schoolmate Mohan Lal, because their voices sounds alike, and to his friend director Priyadarshan, we have reasons to believe that he was just pouring his anger on a poor boy who came to test his luck with singing.

PS: My friend also comments that Salil Chowdhury is a Bengali and not a Malayali. So if he had the “variations” composed in Malayalam, he would sure have done it in his own language!